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THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK
Langer, Marketa ; Veverková, Kamila (advisor) ; Kučera, Zdeněk (referee) ; Weis, Martin (referee)
ThDr. Marketa Langer Praha, 2018 THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK ABSTRACT This thesis looks at the life and work of the artist Frantisek B lek in relation to the theological legacy of Czech Catholic modernism at the end of the nineteenth and early twentieth century over three chapters. Its objective is to answer three questions: Was the artist the mystic he was perceived to be at the time? Can he be termed a modernist? What were his reasons for joining the Czechoslovak Church when it was founded in 1920? The study uses the method of hypotheses which are stated in advance in the questions posed, and then subsequently tested. Another method used is an analysis and comparison of the approach and attitudes of Czech society to the artist during his life. The introductory chapter describes the study's key indicators with a brief description of the issues, and also the form and structure used. Part A looks at the environment during the emergence of modern Europe; in particular the conditions giving rise to the struggle for modernism, the circumstances of the First Vatican Council, the Czech Catholic reform movement and the European modernism movement in relation to the central subject of this thesis, artist Frantisek B lek. Each of the three chapters looks at one...
THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK
Langer, Marketa ; Veverková, Kamila (advisor) ; Kučera, Zdeněk (referee) ; Weis, Martin (referee)
ThDr. Marketa Langer Praha, 2018 THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK ABSTRACT This thesis looks at the life and work of the artist Frantisek B lek in relation to the theological legacy of Czech Catholic modernism at the end of the nineteenth and early twentieth century over three chapters. Its objective is to answer three questions: Was the artist the mystic he was perceived to be at the time? Can he be termed a modernist? What were his reasons for joining the Czechoslovak Church when it was founded in 1920? The study uses the method of hypotheses which are stated in advance in the questions posed, and then subsequently tested. Another method used is an analysis and comparison of the approach and attitudes of Czech society to the artist during his life. The introductory chapter describes the study's key indicators with a brief description of the issues, and also the form and structure used. Part A looks at the environment during the emergence of modern Europe; in particular the conditions giving rise to the struggle for modernism, the circumstances of the First Vatican Council, the Czech Catholic reform movement and the European modernism movement in relation to the central subject of this thesis, artist Frantisek B lek. Each of the three chapters looks at one...

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